Haunted: High above the skies of Metropolis Clark calls Lois and tells her his plans to honour the memory of the Late Impulse. As he heads to the destination, Clark asks if she uncovered anything about Lex, she responds by saying when you fly by I’ll fill you in on what I’ve discovered. “I don’t think I’ll be doing that anymore” Knock, Knock, Knock, Knock “Honey… I’m home.” Clark surprises Lois and then briefly describes how he’s been fixed. But there’s always a job for Superman. At Lexcorp, Lex enters his office to be met by Superman & Green Arrow who confront him. Lex tries to figure out how Supes got so close and as he checks his app, he realizes that he, Superman, has been washed clean of the radiation. As Lex tires of their presence, he asks why the heroes have made his acquaintance, the pair address the fact that Lex has taken something… rather someone in the form of one Tess Mercer. Trying to avoid them, Superman walks away, only to be stopped by Lois. As Green Arrow begins to pull up a taser dart, Lois hits Lex with a knockout blow. As he comes to, the next morning, Otis finds him. As he fully comes too, Lex asks where the hell his sister is. As he begins to look around, he sees an envelope that Supes left for him “Thanks for the memories”. At Watchtower, Dr. Hamilton programs some kind of hard light hologram. As that excitement dies down Clark and Chloe finally catch up. Chloe, understandably, is unnerved by the memories from her doppelgänger and the pending crisis. As she explains, she lets slip that she’s pregnant. Clarks reaction is very much a Super(man) reaction. As she continues to explain why she and Ollie need to leave Metropolis Clark interrupts her saying he fully understands a parents need and want to go to great lengths to protect their kin to ensure a safe upbringing. Referencing Jor-El and Johnathan Kent in that way, she has his blessing to do what needed to be done. The End of Haunted.
Jorge Jimenez does a lot of good again. Even though, his faces are a tad inconsistent, he does great work with capturing emotions, both from the characters and from the tone of the scene. If there were ever to be a go to artist I’d seriously choose this guy. From the opening page to the final moment it’s framed and flows very nicely. Noteworthy scene is in Lexcorp. The style is very dark due to lack of lights and it added more to that scene. The added grain at the start of the scene was dope. Loved the facial expression on Lex’s face as Lois boxed him in it. It would seem the only character in this comic book so far, that is drawn closer to the character’s actor is Chloe (Allison Mack) and it’s not a bad thing just sometimes I’d like to see Tom Welling more often. Not since Guardian have I seen a total likeness. But for the most part, we do still see the actors and I’m OK with that.
Miller does a nice job of finishing this episode. Helps to tie it back into the series finale where Chloe retells a story to her son (spoiler alert?). Having the contrast of Chloe taking on the sacrifices similar to the two sets of parents Clark has was a nice send off. Not that she’s gone but it’s nice to see how much her character has matured from that nosey little reporter to the keeper of secrets and standing up for what’s right and now a mother. I’m curious to see where he takes her next. Bringing back Tess is even more interesting because she’s a computer program. Kind of taking up where she left off in the show. She’s back working at Watchtower and helping the team. I’m interested in seeing if she has any new powers as a result of her current form. Rating : 4.5 Rating:
- Overall rating of the comic: 4.5 out of 5,
- Art: 4 out of 5,
- layout: 5 out of 5,
- True to character dialogue: 4 out of 5,
- Story: 5 out of 5.
Thank you for reading feedback is always helpful. Enjoy your Week! THAT’S IT! Cheers: “To Peace”. Your eLEWsive Thought Provided by: The “LEW System” – Xavier – @CoolyoNgeLEW