Fan Expo 2013

If you like any of the pics you or your friends are in you can now purchase that photo (original, no watermark) for $1 or have it edited your in a fashion you’d like with the original for $5 (no watermark) (NOTE: THIS GOES FOR ANY OTHER PICTURE THAT I’VE TAKEN AND OR POSTED)

Enjoy!!

THAT’S IT! Cheers: “To Peace”. Your eLEWsive Thought Provided by: “LEW System”

– Xavier – @CoolyoNgeLEW

Riddick: Movie Review

This may end up being my shortest review.

Dir: David Twohy Writers: David Twohy, Oliver Butcher, Stephen Cornwel
Run Time: 118m

You ever watch something and say you know the story may suck but you might still be entertained? Yes that didn’t happen here. When I saw the trailer all I could think was this man is going to kill people with cups and what not. Had it not been for my best friend I would have skipped this entirely. But as always I expected nothing from it and got exactly what I expected. How movies like this get produced, but a sequel to Dredd can’t be made, is beyond me.

First let’s touch the acting. TERRIBLE. JUST DOWN RIGHT DISRESPECTFUL. Vinny isn’t the world’s greatest actor in any way. He’s an action star that can be (very) believable in an emotional dramatic scene. I will give him credit that he tried. You can tell early on he tried. Out of the three movies (this one being the longest one I’ve watched) I’d say this might be his best outing but don’t quote me. But in terms of quality… It stops there. This isn’t fast and furious, he can’t help keep this film alive if he tried, solo anyway. He does try though. Then you have Keri Hilson. Most useless pretty face of all time in any movie ever made. Then you have, what I’d assume is the main antagonist in Jordi Mollà. Worst acting I’ve seen all year, and that includes the efforts in Kick-Ass 2. Maybe it was his accent but every word he said came off dryer than Ashy Larry’s lips. Honestly as far as acting goes, expect nothing if you don’t want to heed my warnings and see this garbage.

Technically, it’s a darn good looking movie. The mix use of set, possible on location filming and green screen was pretty seamless. That is a saving grace for the motion picture but not enough to enjoy it. What it makes up in the cinematography, it lacks in rendered CGI. As far as big budget movies go that require CGI, I didn’t expect to see so much glitches in rendered motion. As a whole it came off as a poorly done big budget student film… Sort of like “In Time” with Justin Timberlake.

I hate this movie.

The story never seemed to get going, and early on it was such a drag. Literally. It put me to sleep about mid way and it felt like an episode of Passions. Nothing happened. They were in the same predicament for the longest time. The story crawls so slowly that you just want to cry. The person snoring behind me had money well spent if you asked me vs me tying to be awake.

Bottom line: it’s the worst movie of the fall season or end of summer season. Why this movie was made I don’t know. If you happen to see it please slap yourself for wasting your time and hard earned money/scene points. Though this is a great make out film, if you’re into that during movies. Oh, and if your Howard Walowitz. You might get a little happy at one point.

Ratings for all movies will now be out of ten

  • Overall rating of the movie: 1 out of 10,
  • Cinematography: 3 out of 10,
  • Editing: 2 out of 10,
  • Audio: 7 out of 10,
  • Acting: 1 out of 10 (1 being that vin Diesel did all he could),
  • Theatres or wait for the blu-ray? SKIP IT

THAT’S IT! Cheers: “To Peace”. Your eLEWsive Thought Provided by: “LEW System”

– Xavier – @CoolyoNgeLEW

Kick-Ass 2: Movie Review

*NOTE*
I will be reviewing the comic soon.

Well after a director change with Jeff Wadlow, the sequel to the Matthew Vaughan directed Kick-Ass 2 is upon us.

I won’t make any comparisons in terms of quality or make any direct links to the comic, but understand that this is one of those films that made the comic book look way better.

My flaw with this film is that it didn’t ever seem to get on with the story. Yes it progresses but it just seems like one big catch up story versus just telling us another day in the life of Kick-Ass.

The theme this time around seemed to be about fitting in and making the hard versus right choices. Not terrible ideas given the source material, and something that so many of us have to deal with, depending on the occasion. They were able to capture that idea very strongly and in the foreground with how Hit-Girl’s story moves along.

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With a slew of new actors and characters, there isn’t much screen time for each new character to really want to care about them. So I would have loved to have seen more stories for Jim Carey’s character. Which reminds me, each character seemed to be more of an origin almost as if to do spinoffs. The two leads give a somewhat decent performance with the slant on hit Girl. Aaron just felt flat and very whiny be it in the script or not, it really just came off as annoying.

The highlight action scene was with Mother Russia early on. She commanded a lot more respect as a character as did the violence and comic book lore fans would live for.

I might be nitpicking but I couldn’t stand that most of the characters kind of just had a totally different costume than from what was in the comics. It’s not far removed but it’s not really any kind of improvement either.

Bottom line: There’s not much to really like with this film, everyone will see it differently. But as far as I’m concerned this was a movie that needed Matthew Vaughan for it to be worth a damn. It’s definitely not worth price of admission. Maybe when I read the comic it will make more sense.

Ratings for all movies will now be out of ten

  • Overall rating of the movie: 2 out of 10,
  • Cinematography: 3 out of 10,
  • Editing: 5 out of 10,
  • Audio: 5 out of 10,
  • Acting: 2.5 out of 10,
  • Theatres or wait for the blu-ray? Download

THAT’S IT! Cheers: “To Peace”. Your eLEWsive Thought Provided by: “LEW System”

– Xavier – @CoolyoNgeLEW

Smallville Season 11 #42

Argo:cover

In Antarctica, five researchers are frantically running away from what appears to be some kind of monster.  Out of thin air, arrives Skeets in a fully developed sphere form (season 10 had it as just a voice… budgets are a hell of a thing) informing the researchers that Booster Gold is coming to save them. The researchers insist on having Ted Kord’s “Kid with the bug on his back” a.k.a Blue Beetle, to save them. Suddenly the monster’s presence is upon the group and Booster is off to the rescue. As Booster begins his assault on the monster, his Legion Ring begins to alert him about “Legion Protocol six” before shutting down by noticing he isn’t a Legion member. As he falls, he’s quickly swept into a more hands-on fight with the creature, luckily for him; Blue Beetle arrives and saves the day. As the researchers thank BB, BG talks with Skeets who suggests he sees someone more understanding of this protocol. In the apartment of Clark and Lois, the two are showering and discussing her trip to Africa for her article on the “Angel of the Plateau”. As his protective side begins to take over, Lois reminds him of how Franklin Stern won’t allow him to leave for extended periods of time. She asks if he will be okay though given the most recent loss, he says he’ll hold up. Clark gets an alert about a fire, gives a kiss to Lois and darts off. Sometime later, at the Daily Planet, Cat Grant beckons at the arrival of Clark and shows him to the guest in her office, none other than, BG. The two go to the rooftop where BG hands him the ring and transports them to the 31st century, where a statue of Superman is destroyed and air/space ships own the skies. Clark definitely isn’t in (his) Kansas anymore… To be continued.

I enjoy that they, or just Bryan, are keeping up with the series’ side stories. Even to the minor detail. Having the researchers from Ted Kord, WayneTech and Michael Holt’s companies was a nice nod to ongoing readers. This issue definitely felt like a “next chapter” or phase was really starting. To what end obviously remains to be seen, but Miller seems to really be good at writing the first chapter of arcs. All of them to date have a great balance of character introductions and cliff hanging endings. The manner in which Lois and Clark make up for lost time and push the PG boundary is greatly appreciated to acknowledge the children who might read this and the adults.

jk0002NEW ARTIST ALERT Daniel HDR sounds like a media file name but either way it’s not bad as far as art work goes. It’s still early but it seems pretty dope. I was intrigued by the HDR part, mostly because I love the technique and try to use it when I can. The HDR style is evident as best as one could hope for I’d think for a comic book. It’s not crazy strong but it is there. Given that we’re headed to the 31st century, it’s a nice touch to have a bit of a up to the times style. Its no Steve McNiven or Jim Lee, but given everything it’s a nice step forward in quality, let’s see how long this lasts.

Rating 4.7/5

  • Overall rating of the comic: 4.7 out of 5,
  • Art: 3.3 out of 5,
  • layout: 4 out of 5,
  • True to character dialogue: 4 out of 5,
  • Story: 3.8 out of 5.

Thank you for reading feedback is always helpful. Enjoy your Week! THAT’S IT! Cheers: “To Peace”. Your eLEWsive Thought Provided by: The “LEW System” – Xavier – @CoolyoNgeLEW

Smallville Season 11 #41

Smallville - Season 11 #41Valkyrie: Over the Atlantic Lois is flying out to Africa for an assignment (via plane), when a child inquires about how Superman is like, then the flight attendants, and slowly begins to see (if she didn’t already) that she is a celebrity mostly in part to the fact that Superman is tied to her name in more than one way. Then one of the flight attendants gets fresh. In London (not even sure why London I must of missed that somewhere) Perry White gets a call that Lois has been taken off the plane due to fighting the attendant, and the air marshal. She jokes about not worrying if she’s on the no fly list, “there’s always a safer way to travel”. Near Tinasha, Africa is where Lois begins her assignment about an “Angel of the Plateau” by asking U.N. soldiers. They respond by saying the vigilante is “unquestionably badass” they continue to explain that due to warlords taking children, villagers in return get protection, but the children don’t make it home when the angel strikes. Moments later their U.N. convoy is ambushed (of course it is…) and as the gunfight ensues Lois finds herself in mishap after mishap until finally her Angel arrives. Who turns out to be… Lana….? To Be Continued.

This is nit picking, but in the story, Lois goes on talking about her ass, then there’s clear ass shot (which in all 200+ episodes of Smallville, an ass shot was rare. There’s maybe 6 in all 10 seasons) AND IT’S THE FLATTEST ASS I’VE EVER SEEN.  Granted it’s a 2D medium, but there’s ways around that to give Lois SOME booty. Granted the Actor may not have much but you done changed up so much what’s wrong with giving her some real booty?Smallville - Season 11 #41 019

Anyway I FINALLY GOT MY PRAYERS ANSWERED! Cat Staggs does the interior for the book and its damn near amazing. I wonder if this was to “mimic” the last time we saw Lana, when she gets the suit she currently has on to save Lois. If I’m not mistaken, Allison Mack directed that episode and it was very pro female. The art work is very detailed and really captures the look of the actress’ faces in different situations. It’s a bit of a step forward in quality, but this doesn’t take away at all from the look of the Haunted arc Artist. The inker (if not Catt) did miss some spots. I can still see some sketch lines. Intended maybe, but it just looks cheap if that’s a style. I think I noticed a Mr. Terrific nod in the opening pages. I’m impressed with the look of her first interior work for the book. If she is on another book previously, then I’m sure others are used to this style but as a first time and, given her clear talent I’m a tad let down.

I like seeing this side to Lois, her bob. She often gets lost in the role of being the damsel in distress, to emphasize the love story between her and Clark. So her being away on a solo mission is dope. To what end obviously remains to be seen, but for what it’s worth, this is the best side story so far. It touches on the fact that everyone knows who she is and how important she is to the public’s impression of Superman, and how she deals with keeping his secret. Favourite part of the issue is Lana’s reveal. If it weren’t for the cover, you’d have never guessed it was really her.

Smallville - Season 11 #41

  • Overall rating of the comic: 4 out of 5,
  • Art: 3.2 out of 5,
  • layout: 3 out of 5,
  • True to character dialogue: 4 out of 5,
  • Story: 4 out of 5.

Thank you for reading feedback is always helpful. Enjoy your Week! THAT’S IT! Cheers: “To Peace”. Your eLEWsive Thought Provided by: The “LEW System” – Xavier – @CoolyoNgeLEW

Stark Gone MaDD

STARK Gone MaDD

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This time around I decided to mix it up a bit and give you 2 genre’s in 1 mix.
Giving you the best in Soca & Dancehall which only makes sense as to why
this one is called “STARK Gone MaDD”. Well, here it is…y’all have waited long enough just click the name and proceed to downloading your copy of this mix.Enjoy!!!

STARK Gone MaDD [Track List]

1.       WINE UP ON IT – ZOELAH
2.       I LIKE DAT – HYPA SOUNDS
3.       QUESTION OF DE YEAR – COOPER DAN
4.       BORN WIT IT – ALISON HINDS
5.       AYE YO – DESTRA
6.       ALL I WANT – SUPER JIGGA TC
7.       GYAL WUKKIN – RAVI B
8.       THIEF A WINE – LUTA
9.       DOWN LOW – FARMER NAPPY
10.   HARD WINE – BUNJI GARLIN
11.   DIFFERENTOLOGY – BUNJI GARLIN
12.   DIFFERENTOLOGY [DOC Jones Roadmix] – BUNJI GARLIN
13.   CARNIVAL TABANCA – BUNJI GARLIN
14.   POSSESSED – MACHEL MONTANO, KERWIN DU BOIS ft. LADYSMITH BLACK MAMBOZA
15.   SOCAHOLIC [SOCA OR DIE] – RICHARDO DRUE
16.   ENJOY MEH LIFE – MIKEY
17.   PLAY D MAS – SHAL MARSHALL
18.   FEELING TO – HYPASOUNDS
19.   CYA FAIL ME – TIAN WINTER
20.   NO SAH – BLAXX
21.   NO GET AWAY [SCRATCH MASTER RDMIX] – BLAXX
22.   STOP HALFWAY – PETER RAM
23.   HEADBOARD – SALT
24.   BACK OFF – GORG
25.   BEHAVE PON IT – LIL RICK
26.   BOOST HAR UP [RMX] – KONSHENS ft PATRICE ROBERTS
27.   HOLD ON TIGHT – PATRICE ROBERTS
28.   WE DOIN IT – PROBLEM CHILD
29.   FETTIN LIFE – PROBLEM CHILD
30.   LAST MAN STANDING – EDWIN YEARWOOD ft KROSFYAH
31.   THE CANVAS – BUNJI GARLIN
32.   SAVAGE – BUNJI GARLIN
33.   DRUMMER BOY – M1 [MENACE]
34.   WHISTLE & HORN – CASSI
35.   WAH DO – OLATUNJI
36.   LEH GO – BLAXX
37.   NO LIE – MMHD vs MMP
38.   SHE READY – MACHEL MONTANO
39.   HANDLE YUH BUSINESS – PROBLEM CHILD ft ZOELAH
40.   READY FUH DIS – INCHES
41.   BUBBLE & BRUK – PETER RAM
42.   JUCK DUNG GAL – LIL RICK
43.   TWERKING TIME – LIL RICK
44.   WINE UM DOWN – LIL RICK
45.   KOTCH DE BUMPER – LIL RICK
46.   MONSTER WINER – KERWIN DU BOIS & LIL RICK

47.   CONVERTIBLE – VYBZ KARTEL
48.   EVER BLESSED – VYBZ KARTEL
49.   HOLD ME [HURT IT UP] – VYBZ KARTEL
50.   GYAL SIDUNG – KONSHENS & DARRIO
51.   CLAP IT UP – VOICEMAIL
52.   POOLSIDE – BUSY SIGNAL
53.   BLOCK PARTY RIDDIM – INSTRUMENTAL
54.   DISTORTED – CHRIS MARTIN & AJRENALIN
55.   UNRULY RAVE – POPCAAN
56.   SUMMER WAVE – POPCAAN
57.   LIVE WE LIFE – TOMMY LEE
58.   SOME BWOY – TOMMY LEE
59.   PSYCHO – TOMMY LEE
60.   BEHIND CURTAIN – CHRONIXX
61.   DO SUMN – KONSHENS
62.   STOP SIGN – KONSHENS
63.   BODY LOOK – MAVADO
64.   GEORGINA – VYBZ KARTEL
65.   BEDROOM BULLY – BUSY SIGNAL
66.   PON DI COCKY – AIDONIA
67.   PUSSY MECHANIC – TOMMY LEE
68.   COCKY MECHANIC – DESTINY
69.   WALK N WINE – KONSHENS
70.   BUBBLE GYAL BUMAYE [JESTER RMX] – JESTER, MAJOR LAZER & KONSHENS
71.   BUMAYE [WATCH OUT FI THIS] – MAJOR LAZER ft BUSY SIGNAL & FLEXICAN
72.   BRUKI – AIDONIA
73.   JOOK SO – AIDONIA
74.   CAN’T DO WITHOUT ME – VYBZ KARTEL & GAZA SLIM
75.   PARTY NON STOP – TOMMY LEE
76.   ON YOUR FACE – KONSHENS
77.   PULL UP TO MI BUMPER – J CAPRI & KONSHENS
78.   WINE & KOTCH – J CAPRI & CHARLY BLACK